Sylvia and Mike have been married for about a year, and asked me to take their portrait this spring, while all the blooms were coming alive in Sherwood Gardens, near where they live.

The tulips were in full bloom--an amazingly varied array of color. The park was quite crowded, with tons of people flocking to picnic on the green grass. It almost looked like one of those French impressionist paintings from the turn of the century!

Their affection for each other is clear. Of course, it took a little loosening up for them to be less conscious of me, and to relax and enjoy each other. That's the toughest part about being photographed--knowing what to do with yourself or your hands. It's a bit like being an actor trying to portray one's self.

I wish Sylvia and Mike many more years of wedded bliss.

Last Tuesday evening, National Fatherhood Initiative hosted its Fatherhood Awards Gala in Washington, D.C.

I've photographed this event since 2005, and always enjoyed myself. Photographing an event like that presents a technical challenge and unique pressures, similar to that of a wedding: low light, active subjects, and a one-time-only chance to catch the moment.

Taking pictures of people while giving speeches presents a unique challenge: you want to catch the person talking, but not in a part of a sentence where their mouth appears odd or makes them look awkward. And some folks have more dynamic speaking faces than others, which you want to exploit whenever possible. This requires listening to what they're saying, and also reading their body language to anticipate when they might next move their hand a certain way, or even turn their head towards or away from the camera.

Event photography, for me, is people-watching on steroids.

For those who are interested, you can view a small gallery of the photographs, and see for yourself!

This past Saturday, on a gorgeous day in downtown Annapolis, Danielle and Arthur tied the knot at St. Mary's Church.

After the ceremony and the family portraits, the couple, bridal party, and I, wandered through the busy downtown streets. People shouted their congratulations. Young girls, especially, excitedly pointed to Danielle and oohed over her dress.

We dismissed the bridal party, and then I had a few moments alone with the couple in the backyard garden at a historic house. Arthur and Danielle were so very low-key and fun to be around. They were up for almost anything, and took direction very eagerly and naturally.

It's so marvelous to be a part of someone's special day, especially when they're relaxed and enjoying themselves; that energy transfers to the pictures while at the same time helping to make the day a beautiful memory.

Little Zenaida got a baby brother recently. His name is Aiden.

She and mom are adjusting well to their new roles and new demands. Aiden is a beautiful pudgy boy, with his own very distinctive grunt, his hands in perpetual motion when awake. He downs a bottle eagerly.

When I visited them, Zenaida had just woken up from a nap, her hair tousled, but she was very eager to make friends.

Aiden is quite the darling; I'm sure that Zenaida will make a great older sister, and that he'll be a captive audience for her antics.

In college, I discovered a beautiful little plastic camera, called the HOLGA, which enabled me to explore medium format film without investing $500 in an expensive camera body.

Always, my photographs had to involve people. I recruited roommates, myself, my family, and friends, to take part in what would eventually make up my senior art show. This self-portrait that you see here above would go on to be displayed in the Fraser Gallery in Bethesda.

As always, children were a favorite subject of mine, too. Their innocent and unselfconscious kineticism made for great gestures.

And Stephen was a willing experimenter, too.

I love how these photographs stop time, but simultaneously feel like movies because I blended frames together in-camera (simply by not advancing the film properly).

To a degree, I am able to control the outcome of my HOLGA photographs. There's a great deal of unpredictability, of course--where will the light leaks be? what if the film gets stuck in one of the plastic mechanisms? But I have a habit of putting it all together in my head--a series of three shots--before I orchestrate what people do in the frame.

It's beautiful controlled chaos.

I hope to explore other kinds of cameras in the near future, like the Lomo.